| 24 | | | | easy | Rock and Roll | lick | A | 4/4 | 150 | Rock and Roll lick centered around the 1st Box of the Pentatonic major |
| 28 | | | | medium | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 108 | Lick centered around the Blues scale. It starts at bar 3 of a standard 12-Bar Blues. |
| 42 | | | | medium | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 110 | Lick that connects the end and the beginning of a 12-Bar Blues. It starts at bar 10 and ends at bar 1 of the progression. |
| 52 | | | | medium | Blues Rock, Rock | lick | Am | 4/4 | 94 | Power blues lick in A minor, centered around the Blues scale. |
| 55 | | | | medium | Rock | lick | E | 4/4 | 52 | E Pentatonic major + Mixolydian on the E chord, D Pentatonic major on the D chord |
| 59 | | | | medium | Blues Rock, Rock | lick | Em | 4/4 | 90 | Blues rock lick centered around the 4th Extended Box of the Blues scale |
| 65 | | | | medium | Blues Rock, Rock | lick | Em | 4/4 | 92 | Dorian Octave Double-Stops Lick, pentatonic minor |
| 71 | | | | easy | Blues Rock, Rock | lick | G | 4/4 | 84 | Blues Rock lick centered around the Blues scale with an added major 3rd |
| 75 | | | | medium | Blues Funk | lick | E | 4/4 | 110 | Short lick centered around the open position of the Blues scale |
| 77 | | | | difficult | Rock | lick | Am | 4/4 | 98 | Lick that starts with an A minor 7th arpeggio and continues with the Blues scale with an added major 2nd |
| 84 | | | | easy | Blues Funk | lick | Cm | 4/4 | 90 | Two versions of the same lick centered aroun the First Box of the Pentatonic minor |
| 100 | | | | easy | 12-Bar Blues, Slow Blues | lick | A | 12/8 | 68 | Soulful lick centered around the Mixolydian and the Pentatonic Minor played on the first 4 bars of a slow blues |
| 101 | | | | easy | Blues Funk | lick | D | 4/4 | 80 | Funk Blues lick that uses notes from the 4th extended box pattern of the Blues scale |
| 102 | | | | medium | 12-Bar Blues, Slow Blues | solo | C | 12/8 | 56 | Sweet Little Angel intro by BB King |
| 107 | | | | medium | Blues Rock, Rock | lick | E | 4/4 | 80 | DBL 40 and 37 combined together: Hendrix-style licks centered around the Blues Scale and the E7#9 chord |
| 117 | | | | difficult | 12-Bar Blues, Blues Rock | lick | Cm | 12/8 | 54 | Lick centered around the Blues scale with an added major 6th |
| 118 | | | | medium | 12-Bar Blues, Slow Blues | lick | A | 12/8 | 42 | Licks sequence played on the last four bars of a 12-Bar Slow Blues |
| 119 | | | | medium | 12-Bar Blues, Slow Blues | solo | G | 12/8 | 60 | Blues Power intro by Albert King, pentatonic minor, pentatonic major |
| 122 | | | | medium | 12-Bar Blues, Shuffle Blues | lick | G | 4/4 Shuffle | 126 | Blues intro lick that uses notes from G Blues scale and C Mixolyidian |
| 125 | | | | medium | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 132 | Blues intro lick that uses notes from both the Pentatonic Minor and Major |
| 127 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | E | 4/4 Shuffle | 120 | Shuffle Blues intro that uses notes from the Open Box of the Blues scale |
| 131 | | | | medium | Slow Blues | solo | A | 12/8 | 50 | Solo on the 8-Bar Blues progression, centered around the Pentatonic major & minor |
| 134 | | | | easy | 12-Bar Blues, Slow Blues | lick | A | 12/8 | 50 | Srv-style Blues intro centered around the 1st Extended Box of the Blues scale |
| 143 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 126 | Blues Jazz solo centered around the Pentatonic Major and Minor, played on the WBR 9 progression |
| 160 | | | | medium | Blues Rock, Rock | lick | Em | 4/4 | 88 | The first part is a horizontal phrasing in E Pentatonic Minor, the second part is in E Dorian. |
| 167 | | | | medium | Blues Rock | lick | Em | 4/4 | 88 | The 1st part is a rhythm around the E7#9 chord, the 2nd is a solo centered around the Blues Scale |
| 168 | | | | easy | Blues Country, Rock and Roll | lick | A | 4/4 | 130 | Country Blues licks sequence centered around the Pentatonic Major and the Mixolydian mode |
| 176 | | | | easy | 12-Bar Blues, Blues Funk | lick | C | 4/4 | 94 | Intro lick for a 12-Bar Funk Blues |
| 182 | | | | medium | Blues Funk | lick | A | 4/4 | 96 | Funk blues lick centered around the 1st Extended Box that resolves on D Mixolydian double stop on D7 (IV7) |
| 183 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 104 | Lick in Pentatonic major & Blues scale that underlines the I7-IV7 change |
| 188 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | C | 4/4 Shuffle | 114 | Turnaround lick centered around the 4th Box of the Blues scale |
| 189 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 100 | I'm Tore Down by Eric Clapton |
| 197 | | | | medium | 12-Bar Blues, Blues Funk | lick | A | 4/4 | 114 | Dorian lick played on the B.TRACK I made for Crossroads (John Mayer version) |
| 199 | | | | medium | Blues Jazz | solo | Bm | 4/4 Swing | 174 | Jazz Blues melody played over the WBR 32 and centered around the Blues Scale |
| 200 | | | | easy | Slow Blues | lick | Dm | 4/4 | 84 | Tasty lick centered around the 4th box of the Pentatonic Minor |
| 203 | | | | medium | Blues Country | solo | A | 4/4 | 152 | Country Blues solo played on a 16-Bar Country Blues Progression (WBR 89) |
| 216 | | | | medium | Blues Funk | lick | Cm | 4/4 | 70 | Natural minor licks sequence + Descending minor double stops |
| 219 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 12/8 | 70 | 4th Box Lick 1/7: Blues lick centered around the 4th Box of the Blues Scale |
| 220 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | E | 4/4 Shuffle | 108 | 4th Box Lick 2/7: Blues lick that uses notes from the 4th Box of the Blues scale |
| 221 | | | | easy | 12-Bar Blues, Slow Blues | lick | Am | 12/8 | 54 | 4th Box Lick 3/7: Blues lick centered around the 4th Box of the Blues Scale with an added 2nd |
| 222 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | D | 4/4 Shuffle | 145 | 4th Box Lick 4/7: Fast shuffle Blues lick centered around the 4th Box of the Blues Scale |
| 223 | | | | easy | 12-Bar Blues, Slow Blues | lick | Dm | 4/4 | 74 | 4th Box Lick 5/7: Blues lick that uses notes from the 4th Box of the Blues Scale |
| 224 | | | | easy | Blues Rock | lick | E | 4/4 | 75 | 4th Box Lick 6/7: 16th-note descending sequence centered around the Extended 4th Box of the Blues Scale |
| 225 | | | | easy | 12-Bar Blues, Slow Blues | lick | D | 12/8 | 70 | 4th Box Lick 7/7: 4th Extended Box of the Blues Scale and played on the first 6 bars of a 12-Bar Blues |
| 229 | | | | easy | 12-Bar Blues, Slow Blues | lick | D | 12/8 | 70 | From Maj To Min 1/7 |
| 230 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | G | 4/4 Shuffle | 120 | From Maj To Min 2/7 |
| 231 | | | | easy | Slow Blues | lick | E | 4/4 | 55 | From Maj To Min 3/7 |
| 232 | | | | easy | 12-Bar Blues, Blues Funk | lick | D | 4/4 | 88 | From Maj To Min 4/7 |
| 233 | | | | easy | 12-Bar Blues, Slow Blues | lick | A | 12/8 | 45 | From Maj To Min 5/7 |
| 234 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 100 | From Maj To Min 6/7 |
| 235 | | | | easy | 12-Bar Blues, Slow Blues | lick | A | 12/8 | 48 | From Maj To Min 7/7 |
| 236 | | | | medium | 12-Bar Blues, Slow Blues | solo | D | 12/8 | 58 | How Blue Can You Get by BB King |
| 237 | | | | easy | Slow Blues | lick | C | 12/8 | 54 | The intro to Nobody Knows You When You're Down And Out by Eric Clapton |
| 239 | | | | difficult | Blues Rock | solo | C#m | 4/4 | 98 | Cold Day In Hell by Gary Moore |
| 241 | | | | easy | Blues Rock, Rock | lick | E | 4/4 | 88 | Rock and roll riff centered around the Pentatonic major and three chords: E5, D5 and A/C# |
| 242 | | | | easy | Slow Blues | solo | A | 12/8 | 50 | Blues Masters 1/7: Need Your Love So Bad intro by Peter Green |
| 243 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 154 | Blues Masters 2/7: Long Skirt Baby Blues intro by T Bone Walker |
| 244 | | | | easy | Shuffle Blues | solo | E | 4/4 Shuffle | 118 | Blues Masters 3/7: The Stumble main theme by Freddie King |
| 245 | | | | medium | 12-Bar Blues, Slow Blues | solo | G | 12/8 | 58 | Blues Masters 4/7: Worry, Worry, Worry solo by BB King |
| 246 | | | | easy | 12-Bar Blues | solo | A | 4/4 | 120 | Blues Masters 5/7: Crosscut Saw intro by Albert King |
| 247 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | E | 4/4 Shuffle | 150 | Blues Masters 6/7: Boom Boom main theme by John Lee Hooker |
| 248 | | | | medium | 12-Bar Blues, Slow Blues | solo | G | 12/8 | 56 | Blues Masters 7/7: Texas Flood intro by Stevie Ray Vaughan |
| 249 | | | | difficult | Rock | solo | Bm | 4/4 | 94 | It starts with 2 Natural Minor sixteenth triplets runs chained by arpeggios and ends with the Pentatonic Minor |
| 250 | | | | easy | 12-Bar Blues, Slow Blues | solo | A | 4/4 | 104 | This solo starts on F7 and is centered around the 1st Extended Box of the Blues scale |
| 251 | | | | easy | Slow Blues | solo | Eb | 12/8 | 65 | Christmas Love by BB King |
| 252 | | | | difficult | 12-Bar Blues, Blues Funk | solo | B | 4/4 | 94 | The solo in Tightrope by Stevie Ray Vaughan |
| 253 | | | | medium | Slow Blues | solo | Am | 4/4 | 50 | DBL 166 Repost: I wrote these licks playing around the Natural minor scale and the Pentatonic minor |
| 254 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | G | 4/4 Shuffle | 120 | Blues intro lick centered around the Pentatonic major and the Blues scale, played on a shuffle blues |
| 255 | | | | medium | 12-Bar Blues, Shuffle Blues | lick | E | 4/4 Shuffle | 108 | DBL 159 Repost: Cool licks sequence over the last 4 bars of a 12-Bar Blues |
| 256 | | | | easy | 12-Bar Blues, Slow Blues | solo | C | 12/8 | 70 | Solo centered around the 4th extended box of the Blues scale. It starts on the 4th bar |
| 257 | | | | easy | Blues Country | lick | A | 4/4 | 152 | Country-Blues lick that uses notes from the Pentatonic Major related to each chord |
| 258 | | | | difficult | Rock | solo | A | 4/4 | 94 | Solo I wrote using the Mixolydian mode, Pentatonic Major, and Major arpeggios |
| 259 | | | | medium | 12-Bar Blues, Shuffle Blues | lick | G | 4/4 Shuffle | 158 | Cool intro to a fast blues shuffle that uses notes from the Pentatonic Minor and Major |
| 260 | | | | easy | 12-Bar Blues, Slow Blues | lick | C | 12/8 | 70 | Turnaround 1/5 |
| 261 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 132 | Turnaround 2/5 |
| 262 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | E | 4/4 Shuffle | 120 | Turnaround 4/5 |
| 263 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | C | 4/4 Shuffle | 190 | Turnaround 5/5 |
| 264 | | | | difficult | Slow Blues | solo | E | 4/4 | 58 | Riviera Paradise by Stevie Ray Vaughan |
| 265 | | | | medium | Rock | lick | Am | 4/4 | 84 | This lick starts with an A minor 7th arpeggio and continues with the Blues scale |
| 266 | | | | difficult | Rock, Blues Rock | solo | C#m | 4/4 | 88 | DBL 161 Repost: King Of The Blues by Gary Moore |
| 267 | | | | medium | Blues Funk | lick | Em | 4/4 | 96 | Lick centered around the 4th, 3rd and 1st open position of the Blues Scale |
| 268 | | | | easy | 12-Bar Blues, Blues Funk | solo | Bm | 4/4 | 85 | DBL 128 Repost: Some ideas on how to use the 1st extended box pattern of the Pentatonic Minor/Blues Scale |
| 269 | | | | easy | 12-Bar Blues, Blues Funk | solo | Bm | 4/4 | 85 | DBL 139 Repost: Some ideas on how to use the 3rd box, 4th extended box, and 1st box of the Blues Scale |
| 270 | | | | medium | Slow Blues | solo | C | 12/8 | 50 | DBL 144 Repost: My solo on Need Your Love So Bad by Peter Green - Part 1 |
| 271 | | | | easy | Slow Blues | solo | C | 12/8 | 50 | DBL 162 Repost: My solo on Need Your Love So Bad by Peter Green - Part 2 |
| 272 | | | | easy | 12-Bar Blues, Slow Blues | solo | A | 12/8 | 60 | Example on how to use the pentatonic scales for phrasing on a standard 12-Bar Blues progression |
| 273 | | | | medium | 12-Bar Blues, Rock and Roll | solo | Bb | 4/4 | 155 | DBL 186 Repost: Johnny B. Goode by Chuck Berry. Pentatoni major + Mixolydian |
| 274 | | | | easy | Rock, Blues Rock | solo | Em | 4/4 | 64 | My solo on Little Wing by Jimi Hendrix. Pentatonic minor |
| 275 | | | | medium | Rock | lick | Em | 4/4 | 100 | Economy picking with four different arpeggios |
| 276 | | | | easy | Slow Blues | solo | Am | 12/8 | 56 | DBL 180 Repost: Solo played on a minor progression that uses notes from the Pentatonic minor |
| 277 | | | | medium | Blues Rock, Blues Funk | solo | C | 4/4 | 118 | DBL 175 Repost: Solo centered around the 1st Extended Box of the Blues Scale |
| 278 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | E | 4/4 Shuffle | 100 | Cool intro for a shuffle blues. Blues scale |
| 279 | | | | easy | 12-Bar Blues, Blues Funk | solo | Am | 4/4 | 80 | Chain and Things by BB King |
| 280 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | G | 4/4 Shuffle | 120 | DBL 156 Repost: Licks inspired by Stevie Ray Vaughan's So Excited. Blues scale |
| 281 | | | | medium | Rock | solo | Bm | 4/4 | 104 | My solo on All Along The Watchtower - Part 1. Blues scale + Natural minor |
| 282 | | | | medium | Rock | lick | Bm | 4/4 | 94 | 16th-note minor lick that uses notes from the 1st box of the Natural Minor Scale |
| 283 | | | | medium | Rock | solo | Bm | 4/4 | 104 | My solo on All Along The Watchtower - Part 2. Blues scale + Natural minor |
| 284 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 118 | Same note with three different techniques: string bending, slide, and hammer-on. Pentatonic minor |
| 285 | | | | easy | Blues Funk | lick | Am | 4/4 | 90 | Tasty funk blues lick that uses notes from the 1st extended box of the Blues scale |
| 286 | | | | medium | Rock | solo | Bm | 4/4 | 104 | My solo on All Along The Watchtower - Part 3 . Blues scale + Natural minor |
| 287 | | | | difficult | Rock, Blues Rock | solo | C#m | 4/4 | 88 | DBL 161 Repost: King Of The Blues by Gary Moore. Blues scale. |
| 288 | | | | medium | Rock | solo | Bm | 4/4 | 104 | My solo on All Along The Watchtower - Part 4. Blues scale + Natural minor |
| 289 | | | | medium | Rock | solo | Bm | 4/4 | 104 | My solo on All Along The Watchtower - Part 5. Blues scale + Natural minor |
| 290 | | | | medium | Blues Funk | lick | C | 4/4 | 120 | Funk blues lick that uses notes from the 1st Extended Box of the Blues scale |
| 291 | | | | medium | Rock | solo | Bm | 4/4 | 104 | My solo on All Along The Watchtower - Part 6. Blues scale + Natural minor |
| 292 | | | | easy | Blues Rock | lick | E | 4/4 Shuffle | 120 | Tasty lick centered around the open position of the Blues scale |
| 293 | | | | medium | Rock | solo | Bm | 4/4 | 104 | My solo on All Along The Watchtower - Full. Blues scale + Natural minor |
| 294 | | | | medium | 12-Bar Blues, Blues Funk | solo | Bm | 4/4 | 100 | The Thrill Is Gone by BB King, from the Live In Cook County Jail album |
| 295 | | | | easy | Blues Rock | lick | Gm | 4/4 | 85 | DBL 213 Repost: 16th-note descending lick centered around the 4th position of the Blues scale |
| 296 | | | | medium | Slow Blues | solo | C | 6/8 | 50 | Sweet major blues solo played on the WBR 58, centered around the Pentatonic minor and major |
| 297 | | | | easy | Blues Rock | lick | A | 4/4 Shuffle | 100 | SRV Habit Lick #1 (the b9 or b2 trill) played through a B.TRACK. Pentatonic minor |
| 298 | | | | easy | Blues Country | lick | A | 4/4 | 54 | DBL 198 Repost: Licks sequence centered around the Pentatonic Major relative to each chord |
| 299 | | | | medium | Blues Rock | lick | Am | 4/4 | 64 | Dreamy lick that starts with a minor arpeggio and ends with the Pentatonic minor |
| 300 | | | | medium | Blues Funk | solo | E | 4/4 | 118 | Solo from Mary Had A Little Lamb by Stevie Ray Vaughan, a bit simplified in some parts. Blues scale |
| 301 | | | | medium | Blues Rock | lick | E | 4/4 | 120 | Fast SRV-style lick that uses notes from the open position of the Blues scale |
| 302 | | | | medium | 12-Bar Blues, Slow Blues | solo | A | 12/8 | 66 | Solo inspired by Red House (Jimi Hendrix). Blues scale + Pentatonic major |
| 303 | | | | medium | Blues Rock | lick | Dm | 4/4 | 118 | DBL 201 Repost: Lick centered around the 4th Extended Box of the Blues Scale |
| 304 | | | | easy | Blues Rock, Shuffle Blues | lick | E | 4/4 Shuffle | 78 | DBL 1 Repost: Classic lick inspired by Catfish Blues by Jimi Hendrix. Pentatonic minor |
| 305 | | | | medium | Blues Rock | solo | D | 4/4 | 108 | Badge by Cream: Solo and arpeggiated chords. Pentatonic major + minor |
| 306 | | | | medium | Rock | solo | A | 4/4 | 120 | Rock n Roll licks centered around the Mixolydian mode and the Blues scale |
| 307 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 138 | Les Paul vs Tele: Too Tired intro by Gary Moore. |
| 308 | | | | medium | Rock | solo | Em | 4/4 | 164 | Solo for my piece posted on Halloween. It's centered around the 1st Extended Box of the Blues scale |
| 309 | | | | medium | Blues Funk | lick | A | 4/4 Shuffle | 138 | DBL 145 Repost: Sequence that uses notes from the Dorian mode and the Blues Scale |
| 310 | | | | difficult | Blues Rock | solo | Dm | 4/4 | 110 | Crossifre by Stevie Ray Vaughan |
| 311 | | | | difficult | Rock | lick | Gm | 4/4 | 94 | The 1st part is centered around the G minor arpeggio, while the 2nd is a fast descending Pentatonic minor run |
| 312 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 132 | Licks sequence on the last 4 bars of a Blues that uses notes from the 1st Extended Box of the Blues scale |
| 313 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | F | 4/4 Shuffle | 128 | The intro to Let Me Love You Baby by Stevie Ray Vaughan |
| 314 | | | | medium | 12-Bar Blues, Slow Blues | lick | C | 12/8 | 46 | Slow Blues intro that uses notes from both the Pentatonic major and minor |
| 315 | | | | medium | Blues Rock | lick | Am | 4/4 | 98 | DBL 132 Repost: Lick centered around the 1st extended box pattern of the Blues Scale |
| 316 | | | | difficult | Rock | lick | Am | 4/4 | 98 | Lick centered around the Blues scale + fast 16th-note triplet run + 16th-note economy picking lick |
| 317 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 108 | Licks played on the Weekly Blues Rhythm 64, centered around the Blues scale and the Pentatonic major |
| 318 | | | | medium | 12-Bar Blues, Slow Blues | solo | Am | 12/8 | 40 | DBL 227 Repost: Sweet licks sequence played on a Minor Blues. Pentatonic minor |
| 319 | | | | difficult | Rock | lick | Bm | 4/4 | 114 | Natural minor 16th-note triplet run + Blues scale lick + descending 16th-note phrase |
| 320 | | | | medium | 12-Bar Blues, Blues Jazz | solo | Eb | 4/4 Shuffle | 160 | Please Love Me by BB King |
| 321 | | | | medium | Slow Blues | solo | A | 12/8 | 46 | Jumping At Shadows by Gary Moore |
| 322 | | | | medium | Blues Rock | lick | E | 4/4 | 98 | Power rock-blues riff developed around E7#9, G, and A followed by a Blues scale 16th-note lick |
| 323 | | | | easy | Blues Jazz | lick | Bb | 4/4 Swing | 110 | Jazzy lick on a IIm7 V7 I7 progression that uses notes from the Mixolydian mode in with an added b3 and b5 |
| 324 | | | | easy | 12-Bar Blues, Blues Jazz | lick | Bb | 4/4 Swing | 104 | Jazzy lick on the last 6 bars of a jazz-blues progression. Arpeggios + pentatonic major |
| 325 | | | | medium | Slow Blues | solo | Cm | 4/4 | 85 | Midnight blues by Gary Moore |
| 326 | | | | medium | Rock | lick | Bm | 4/4 | 88 | Economy picking with 2 different arpeggios on a Bm B.TRACK |
| 327 | | | | medium | Blues Jazz | lick | G | 4/4 Swing | 110 | Jazz Blues lick on a IIm7 V7 I7 progression. Pentatonic major + minor |
| 328 | | | | difficult | Blues Rock | lick | G | 4/4 | 65 | Arpeggio followed by a fast Pentatonic minor run, 16th-note triplets and 32th-note |
| 329 | | | | difficult | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 122 | Tell Me by Stevie Ray Vaughan |
| 330 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 120 | DBL 177 Repost: Classic intro to a Shuffle Blues that uses notes from the Pentatonic Minor |
| 331 | | | | medium | 12-Bar Blues, Blues Funk | solo | A | 4/4 | 114 | My solo for Crossroads. Blues scale + Dorian |
| 332 | | | | medium | Rock, Blues Rock | lick | E | 4/4 | 84 | The 1st part is a line centered around the Blues scale, the 2nd uses notes from the Blues scale and the Dorian |
| 333 | | | | medium | Blues Funk | lick | A | 4/4 | 104 | DBL 129 Repost: Funk-blues lick is centered around the 1st, 2nd, 3rd and 4th box of the Pentatonic Minor |
| 334 | | | | easy | Rock | lick | Am | 4/4 | 68 | Lick centered around A Dorian, played on a 3 chords progression: Am, C, D |
| 335 | | | | medium | Blues Rock | lick | Bm | 12/8 | 56 | DBL 121 Repost: Epic minor licks sequence centered around the Blues Scale with an added major 9th |
| 336 | | | | medium | Rock | solo | Em | 4/4 | 54 | Power licks sequence centered around the Blues scale with hammer-ons, pull-offs, and octave double-stops |
| 337 | | | | easy | Rock and Roll, Blues Country | lick | G | 4/4 Shuffle | 184 | Country Blues lick. It starts with 6th double-stops from G Mixolydian and ends with G Pentatonic minor |
| 338 | | | | easy | Blues Funk | lick | Am | 4/4 | 108 | 16th-note lick centered around the 1st Box of the Blues scale |
| 339 | | | | difficult | Rock | solo | Em | 4/4 | 69 | Acoustic solo centered around the Blues scale, played on a 3-Chords Progression (E5, D5, A/C#) |
| 340 | | | | medium | 12-Bar Blues, Blues Jazz | lick | Bb | 4/4 Swing | 160 | DBL 147 Repost: Jazz Blues lick that starts with a dominant 7th arpeggio and ends with the Pentatonic Major |
| 341 | | | | medium | Blues Funk | lick | Am | 4/4 | 108 | 16th-note lick centered around the 4th Box of the Blues scale |
| 342 | | | | easy | Shuffle Blues | lick | G | 4/4 Shuffle | 108 | Tasty lick in the style of BB King that uses notes from both the Pentatonic major and the Blues scale. |
| 343 | | | | difficult | Rock | lick | Em | 4/4 | 104 | DBL 211 Repost: Lick is centered around the Dorian mode with a 16th-note triplets fast legato sequence |
| 344 | | | | easy | Blues Funk | lick | C | 4/4 | 84 | Lick centered around the Mixolydian mode with an added b3 and b5 as passing tones |
| 345 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 88 | Damn Right, I've Got the Blues by Buddy Guy |
| 346 | | | | easy | 12-Bar Blues, Blues Funk | solo | C | 4/4 | 114 | Why I Sing The Blues by BB King |
| 347 | | | | medium | Blues Funk, Blues Rock | lick | Gm | 4/4 | 108 | 16th-note descending lick centered around the 4th Extended Box of the Blues scale, played in alternate picking |
| 348 | | | | medium | 12-Bar Blues, Slow Blues | solo | Eb | 12/8 | 70 | DBL 148 Repost: Lucille by BB King |
| 349 | | | | easy | Blues Rock | lick | Cm | 4/4 | 80 | 16th-note lick centered around the Blues scale with an added major 9th |
| 350 | | | | medium | 12-Bar Blues, Shuffle Blues, Blues Jazz | solo | Bb | 4/4 Shuffle | 170 | Intro to The Cotton Creeper by The Charles Ford Band. Pentatonic minor + major |
| 351 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 90 | Blues Ending centered around the Pentatonic major & minor |
| 352 | | | | medium | 12-Bar Blues, Slow Blues | solo | Db | 12/8 | 60 | The Sky Is Crying by Albert King |
| 353 | | | | difficult | Blues Rock | lick | E | 4/4 | 78 | Hendrix style licks with a fast 32th-note Pentatonic minor run |
| 354 | | | | medium | Blues Rock, Rock | lick | Em | 4/4 | 84 | 16th-note descending lick centered around the Blues scale, involving every scale position across the neck |
| 355 | | | | medium | Blues Country | lick | A | 4/4 Shuffle | 180 | DBL 32 & 33 Repost: 1st lick with Mixolydian double-stops, the 2nd uses notes from Pentatonic Major |
| 356 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | A | 4/4 Shuffle | 100 | Blues ending in the key of A. It starts at bar 9 and uses notes from both the Pentatonic minor and major |
| 357 | | | | medium | 12-Bar Blues, Shuffle Blues | lick | G | 4/4 Shuffle | 158 | DBL 111 Repost: Intro to a fast blues shuffle that uses notes from the Pentatonic Minor and Major |
| 358 | | | | medium | Rock | lick | Am | 4/4 | 72 | Solo that starts with arpeggios and then uses notes from the Pentatonic minor with an added 9th |
| 359 | | | | medium | Blues Funk | lick | E | 4/4 | 100 | Funk blues licks centered around the Extended 4th Box of the Blues scale with an added 2nd and a major 7th |
| 360 | | | | difficult | Rock | solo | Am | 4/4 | 94 | Minor Journey |
| 361 | | | | medium | Rock | lick | Bm | 4/4 | 100 | Lick that starts with the B minor arpeggio, then uses notes from the Blues scale with an added minor 6th |
| 362 | | | | medium | 12-Bar Blues, Shuffle Blues, Blues Rock | solo | G | 4/4 Shuffle | 140 | My solo on Tush by ZZ Top. Pentatonic minor + major |
| 363 | | | | medium | Shuffle Blues | lick | A | 4/4 Shuffle | 176 | Blues Jazz lick centered around the Blues scale and followed by a 16-Bar Blues rhythm |
| 364 | | | | easy | Rock and Roll | solo | G | 4/4 | 125 | My solo on Honky Tonk Women by The Rolling Stones. Pentatonic major & minor + Mixolydian + Double stops |
| 365 | | | | medium | Shuffle Blues | lick | A | 4/4 Shuffle | 176 | Jazz Blues lick playing on a 2-Chord Progression: D7 and A7. Pentatonic major & minor |
| 366 | | | | medium | Rock | lick | A | 4/4 | 105 | Power Blues lick that uses notes from the 1st Extended Box of the Blues scale |
| 367 | | | | medium | Slow Blues | solo | Cm | 4/4 | 74 | Minor Jazz Blues: main theme with octave double stops, solo with the Blues scale and the Harmonic minor |
| 368 | | | | medium | Rock | lick | Am | 4/4 | 98 | Series of arpeggios played using the economy picking technique |
| 369 | | | | medium | 12-Bar Blues, Slow Blues | solo | Bbm | 12/8 | 45 | Cold Cold Feeling by Albert Collins |
| 370 | | | | easy | Slow Blues | solo | Am | 4/4 | 60 | Lick centered around the 1st Extended Box of the Blues scale inspired by Old Love (Eric Clapton) |
| 371 | | | | medium | Blues Rock | solo | Dm | 4/4 | 115 | My solo on Layla by Eric Clapton |
| 372 | | | | medium | Blues Rock, blues | solo | Am | 4/4 | 105 | Heavy blues solo centered around the Blues scale with an added major 2nd |
| 373 | | | | easy | Slow Blues | lick | Dm | 12/8 | 42 | Dreamy blues lick in Natural Minor Scale. I played this lick to start a slow 12-Bar Minor Blues in 12/8 |
| 374 | | | | medium | Rock, Blues Rock | lick | Dm | 4/4 | 67 | Power blues in Natural Minor scale. It ends with a 16th-note triplets lick played in alternate picking |
| 375 | | | | easy | 12-Bar Blues, Slow Blues | solo | E | 12/8 | 56 | Intro inspired by What Happened by BB King |
| 376 | | | | easy | Rock and Roll | lick | C | 4/4 | 150 | Rock and Roll cycling lick. Pentatonic majoe & minor |
| 377 | | | | medium | Blues Rock, Blues Funk | exercise | Dm | 4/4 | 115 | Picking exercise: alternate picking + economy picking. Pentatonic minor |
| 378 | | | | easy | 12-Bar Blues, Shuffle Blues | lick | G | 4/4 Swing | 148 | Descending single notes line + Mixolydian double stops on a 12-Bar Blues |
| 379 | | | | medium | Rock, Blues Rock | solo | Bm | 12/8 | 60 | Spellbinding Blues Impovisation |
| 380 | | | | easy | 12-Bar Blues, Slow Blues | lick | A | 12/8 | 56 | The I7-V7 change in a 12-Bar Blues progression. Pentatonic minor & major |
| 381 | | | | easy | Blues Funk | lick | A | 4/4 | 64 | 1st lick centered around the Pentatonic major and played on a reggae backing track |
| 382 | | | | medium | Blues Funk | lick | A | 4/4 | 64 | 2nd lick centered around the Pentatonic major and played on a reggae backing track |
| 383 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 160 | Fast Shuffle Boogie |
| 384 | | | | medium | Blues Rock | exercise | E | 4/4 | 92 | DBL 179 Repost: 16th-note descending lick centered around the Blues scale and played at 3 different speeds |
| 385 | | | | medium | Blues Funk | solo | Am | 4/4 | 74 | Midnight Voodoo |
| 386 | | | | medium | Blues Funk | exercise | Em | 4/4 | 96 | Funk Blues lick centered around the 4th, 3rd and 1st box of the Blues Scale |
| 387 | | | | medium | Blues Funk | solo | Bb | 4/4 | 100 | Santa Claus Wants Some Loving by Albert King. Blues scale |
| 388 | | | | medium | Rock, Blues Rock | solo | Gm | 4/4 | 68 | Epic rock-blues solo centered around arpeggios, Dorian, Mixolydian and Pentatonic minor |
| 389 | | | | medium | 12-Bar Blues, Slow Blues | solo | C | 12/8 | 50 | Sweet Slow Blues Solo in C. Pentatonic minor & major |
| 390 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 120 | Some Turnarounds from the BGT 34 in action on a Shuffle Blues, Pentatonic major + Minor |
| 391 | | | | difficult | Rock, Blues Rock | solo | Am | 4/4 | 74 | Blues Rock riff in A minor, followed by a solo centered around the Blues scale with an added 2nd |
| 392 | | | | medium | 12-Bar Blues, Slow Blues | solo | C | 12/8 | 53 | Five Long Years by Buddy Guy |
| 393 | | | | difficult | Rock, Blues Rock | solo | Dm | 4/4 | 87 | Blues scale and Dorian blues rock solo played on a progression inspired by White Room |
| 394 | | | | medium | Slow Blues, Blues Rock | solo | Am | 4/4 | 55 | 12-Bar Blues solo centered around the Blues scale with an added maj 2nd and min 6th from the Natural minor |
| 395 | | | | medium | Blues Rock | solo | Am | 4/4 Shuffle | 110 | The solo in Change It by Stevie Ray Vaughan |
| 396 | | | | easy | Blues Jazz, Shuffle Blues | solo | Am | 4/4 Shuffle | 110 | EASY LICKS SERIES: solo on a 12-Bar Blues centered around the 1st Box of the Blues scale |
| 397 | | | | easy | Slow Blues | solo | A | 12/8 | 60 | Sweet 8-Bar Blues solo. Pentatonic major + minor |
| 398 | | | | easy | Blues Jazz, Shuffle Blues | solo | Am | 4/4 Shuffle | 110 | EASY LICKS SERIES: solo on a 12-Bar Blues centered around the 1st Extended Box of the Blues scale |
| 399 | | | | easy | Blues Jazz, Shuffle Blues | solo | Am | 4/4 Shuffle | 110 | EASY LICKS SERIES: solo on a 12-Bar Blues centered around the 4th Box of the Blues scale |
| 400 | | | | medium | Rock, Blues Country | solo | C | 4/4 | 70 | Solo centered around C Pentatonic major & Major scale. Key change (from C to D) at the end of the progression |
| 401 | | | | easy | 12-Bar Blues, Blues Jazz | solo | Am | 4/4 Shuffle | 110 | EASY LICKS SERIES: solo on a 12-Bar Blues centered around the 4th Extended Box of the Blues scale |
| 402 | | | | difficult | Rock | solo | Dm | 4/4 | 130 | My piece in D minor centered around the Blues scale, Natural minor and arpeggios |
| 403 | | | | easy | Slow Blues | solo | C | 12/8 | 50 | EASY LICKS SERIES: solo centered around the Pentatonic major with an added perfect 4th |
| 404 | | | | difficult | Rock, Blues Rock | lick | Em | 4/4 | 98 | Blues Rock riff centered around the Hendrix chord (E7#9) + lick that uses notes from the Blues scale |
| 405 | | | | difficult | Slow Blues, Rock, Blues Rock | solo | Am | 12/8 | 82 | Still Got The Blues by Gary Moore |
| 406 | | | | medium | Blues Rock | lick | Em | 4/4 | 62 | Riff centered around the Blues scale played with my favorite guitars |
| 407 | | | | easy | Slow Blues | solo | C | 12/8 | 50 | EASY LICKS SERIES: solo centered around the Pentatonic major with an added perfect 4th |
| 408 | | | | medium | Blues Rock | lick | Am | 4/4 | 112 | Fast lick in 4/4 that uses notes from the Blues scale |
| 409 | | | | difficult | Blues Rock | lick | Em | 4/4 | 112 | Pentatonic minor shredding |
| 410 | | | | medium | Blues Jazz | solo | C | 12/8 | 44 | Jazz Blues solo centered around the Pentatonic major and Major scale with chromatic passing tones |
| 411 | | | | medium | Blues Rock | exercise | Em | 4/4 | 100 | Descending 16th-note lick centered around the Blues scale, played in alternate and economy picking |
| 412 | | | | easy | 12-Bar Blues, Slow Blues | solo | A | 12/8 | 42 | DBL 272 played on a Slow Blues backing track |
| 413 | | | | medium | 12-Bar Blues, Blues Funk | solo | A | 4/4 | 94 | DBL 272 played on a Funk Blues backing track |
| 414 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 94 | DBL 272 played on a Shuffle Blues backing track |
| 415 | | | | difficult | Rock, Blues Country | solo | G | 4/4 | 126 | Solo centered around the Pentatonic major. Key-change to B minor at bar 15. |
| 416 | | | | difficult | Blues Funk | solo | Cm | 4/4 | 98 | Funk blues solo centered around the Blues scale and the Dorian mode |
| 417 | | | | difficult | Rock | solo | Am | 4/4 | 92 | Dorian and Blues scale shredding |
| 420 | | | | difficult | Rock, Blues Rock | solo | Em | 4/4 | 62 | Blues scale & Dorian shredding |
| 421 | | | | medium | 12-Bar Blues, Slow Blues | solo | G | 12/8 | 80 | 12-Bar Blues solo in G |
| 422 | | | | easy | 12-Bar Blues, Blues Funk | solo | Am | 4/4 | 108 | EASY LICKS SERIES: Funk blues solo centered around the 1st and 4th extended box of the Blues scale |
| 423 | | | | easy | 12-Bar Blues, Slow Blues | lick | A | 12/8 | 80 | EASY LICKS SERIES: Six Slow Blues Intros |
| 424 | | | | difficult | Rock, Blues Rock | solo | C#m | 4/4 | 62 | Original piece that strarts in Em and switches to C# minor. Solo centered around the Blues scale and Harmonic minor |
| 425 | | | | difficult | Rock, Blues Rock | solo | Em | 4/4 | 54 | Emotional Blues Rock Ballad. Blues scale + Natural minor + Harmonic minor |
| 426 | | | | medium | Slow Blues | solo | E | 4/4 | 60 | The piece I wrote for the video "How to get the SRV Tone". Pentatonic major + minor |
| 427 | | | | medium | 12-Bar Blues, Blues Jazz | solo | Gm | 4/4 Swing | 130 | Jazz Blues solo played on the WBR 97. Pentatonic major + minor + Mixolydian + Harmonic minor + Arpeggios |
| 428 | | | | medium | Blues Rock | lick | Am | 4/4 | 80 | Fast lick centered around the 5th and 4th Box of the Pentatonic minor |
| 429 | | | | difficult | Rock, Blues Rock | solo | E | 4/4 Shuffle | 200 | Piece inspired by the song Angry Cockroaches recorded by Tito & Tarantula. Blues scale |
| 430 | | | | medium | 12-Bar Blues | solo | E | 2/2 | 126 | Solo on Got My Mojo Workin' |
| 431 | | | | difficult | Slow Blues, Blues Rock | solo | Am | 12/8 | 54 | The piece I wrote for the video "How to get the Gary Moore Tone". Blues scale + Natural minor |
| 432 | | | | medium | Blues Rock | solo | C | 4/4 | 62 | Dynamic Solo Journey - PART 1 |
| 433 | | | | medium | 12-Bar Blues, Slow Blues | solo | A | 6/8 | 62 | Solo inspired by Please Come Home For Christmas. Pentatonic major + minor |
| 434 | | | | medium | Blues Rock | lick | Em | 4/4 | 100 | 6th double-stops from E Natural minor + E Blues scale + Harmonic minor on the B7 chord |
| 435 | | | | difficult | Blues Rock, Rock | lick | Em | 4/4 | 90 | Blues rock lick that uses notes from the E Blues scale. It is a combination of 16th-note and 16th-note triplets |
| 436 | | | | medium | Blues Rock | solo | C / D | 4/4 | 62 | Dynamic Solo Journey - PART 2 |
| 437 | | | | medium | Blues Rock | exercise | Em | 4/4 | 100 | 16th-note descending lick centered around the 1st Box and the 4th Box of the Blues scale in alternate picking |
| 438 | | | | difficult | Blues Rock | solo | D | 4/4 | 65 | Dynamic Solo Journey - PART 3 |
| 439 | | | | medium | 12-Bar Blues, Blues Funk | solo | E | 4/4 Shuffle | 98 | Funk Blues solo played on the WBR 7 centered around the Blues scale, Pentatonic major and Mixolydian |
| 440 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | E | 4/4 | 112 | SRV-ish solo that uses notes from the Open Box, the 4th Box, and the 1st Box at the 12th fret of the Blues scale |
| 441 | | | | difficult | Rock | solo | Am | 4/4 | 64 | Epic & Emotional // Original - Part 1: INTRO |
| 442 | | | | medium | Rock, Blues Rock | lick | Cm | 4/4 | 74 | Epic Blues lick that uses notes from all boxes of the Blues scale |
| 443 | | | | difficult | Rock | lick | Cm | 4/4 | 100 | Fast lick / exercise in alternate picking, centered around the 5th, 4th and 3rd Box of the Pentatonic minor |
| 444 | | | | difficult | Rock | solo | Am | 4/4 | 64 | Epic & Emotional // Original - Part 2: MAIN THEME |
| 445 | | | | medium | 12-Bar Blues, Blues Funk | solo | A | 4/4 | 90 | Funk Blues solo played on the WBR 14 |
| 446 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 130 | EASY LICKS SERIES: Shuffle Blues Solo on a 24-Bar Blues progression |
| 447 | | | | easy | Rock, Blues Rock | lick | Em | 4/4 | 75 | Blues Rock riff centered around the Pentatonic minor harmonized in 4ths |
| 448 | | | | medium | Blues Funk | exercise | Bm | 4/4 | 108 | Funk blues lick that uses notes from the 3rd, 2nd, and 1st Box of the Blues scale |
| 449 | | | | medium | Blues Rock | exercise | E | 4/4 | 108 | Lick/Exercise centered around the 5th, 1st, 2nd, and 3rd boxes of the Pentatonic minor |
| 450 | | | | medium | 12-Bar Blues, Slow Blues | solo | G | 12/8 | 50 | SRV-ish Slow Blues Solo |
| 451 | | | | difficult | Blues Rock | solo | E | 4/4 | 108 | Blues Rock Original - 1st SOLO centered around the Blues scale with an added maj 6th taken from the Dorian mode |
| 452 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 82 | EASY LICKS SERIES: Medium Shuffle Blues Solo centered around the Pentatonic major and the Blues scale |
| 453 | | | | difficult | Blues Rock | solo | E | 4/4 | 108 | Blues Rock Original - 2nd SOLO centered around the Blues scale with an added maj 6th taken from the Dorian mode |
| 454 | | | | medium | 12-Bar Blues, Slow Blues, Blues Jazz | solo | C | 12/8 | 60 | Jazz Blues solo centered around the Pentatonic major & minor, arpeggios, and chromatic passing tones - PART 1 |
| 455 | | | | medium | Blues Rock | solo | Em | 4/4 | 90 | Solo that uses notes from E Dorian and E Blues scale - PART 1 |
| 456 | | | | medium | 12-Bar Blues, Slow Blues, Blues Jazz | solo | C | 12/8 | 60 | Jazz Blues solo centered around the Pentatonic major & minor, arpeggios, and chromatic passing tones - PART 2 |
| 457 | | | | medium | Blues Rock | solo | D | 4/4 | 100 | Solo centered around D Mixolydian and D Pentatonic major |
| 458 | | | | difficult | Blues Rock, Slow Blues | solo | Bm | 12/8 | 54 | Short epic solo that uses notes from the Pentatonic minor and the Natural minor scale |
| 459 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | E | 4/4 Shuffle | 105 | EASY LICK SERIES:Tasty licks on a 12-Bar Shuffle Blues progression |
| 460 | | | | difficult | Slow Blues | solo | A | 6/8 | 50 | Sweet solo centered around the Pentatonic major and the Major scale in the key of A major - PART 1 |
| 461 | | | | medium | Blues Rock | lick | Em | 4/4 | 64 | Tasty licks sequence in the key of E minor, centered around the 4th Box of the Blues scale with an added major 2nd |
| 462 | | | | difficult | Slow Blues | solo | A | 6/8 | 50 | Sweet solo centered around the Pentatonic major and the Major scale in the key of A major - PART 2 |
| 463 | | | | medium | Slow Blues | solo | Dm | 4/4 | 84 | Solo I wrote using the old DBL 200. It uses notes from the Blues scale and the Natural minor scale - PART 1 |
| 464 | | | | medium | Slow Blues | solo | Dm | 4/4 | 84 | Solo I wrote using the old DBL 200. It uses notes from the Blues scale and the Natural minor scale - PART 2 |
| 465 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Swing | 120 | Here's the first part of a tasty swing blues solo that uses notes from the Pentatonic major and minor |
| 466 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Swing | 120 | Here's the second part of a tasty swing blues solo that uses notes from the Pentatonic major and minor |
| 467 | | | | difficult | Blues Rock | solo | Bm | 4/4 | 88 | Solo centered around the Blues scale, Natural minor, and Harmonic minor - PART 1 |
| 468 | | | | difficult | Blues Rock | lick | Em | 4/4 | 90 | Fast 16th-note triplets lick played using the alternate picking technique and centered around the Blues scale |
| 469 | | | | difficult | Blues Rock | solo | Bm | 4/4 | 88 | Solo centered around the Blues scale, Natural minor, and Harmonic minor - PART 2 |
| 470 | | | | medium | Slow Blues | solo | C | 6/8 | 53 | BB King style solo on a 16-Bar Blues - PART 1 |
| 471 | | | | difficult | Blues Funk | solo | Gm | 4/4 | 96 | Solo played on the WBR 104 and centered around the G Dorian mode & Blues scale - PART 1 |
| 472 | | | | medium | Slow Blues | solo | A | 4/4 | 52 | Sweet solo centered around A Pentatonic major and F diminished arpeggio - PART 1 |
| 473 | | | | medium | Slow Blues | solo | C | 6/8 | 53 | BB King style solo on a 16-Bar Blues - PART 2 |
| 474 | | | | difficult | Blues Funk | solo | Gm | 4/4 | 96 | Solo played on the WBR 104 and centered around the G Dorian mode & Blues scale - PART 2 |
| 475 | | | | medium | Slow Blues | solo | A | 4/4 | 52 | Sweet solo centered around A Pentatonic major and F diminished arpeggio - PART 2 |
| 476 | | | | difficult | Blues Rock | solo | Bm | 4/4 | 72 | From B minor to A major - PART 1 |
| 477 | | | | medium | Slow Blues | solo | C | 6/8 | 53 | BB King style solo on a 16-Bar Blues - PART 3 |
| 478 | | | | difficult | Blues Funk | solo | Gm | 4/4 | 96 | Solo played on the WBR 104 and centered around the G Dorian mode & Blues scale - PART 3 |
| 479 | | | | medium | Slow Blues | solo | A | 4/4 | 52 | Sweet solo centered around A Pentatonic major and F diminished arpeggio - PART 3 |
| 480 | | | | medium | Slow Blues | solo | C | 6/8 | 53 | BB King style solo on a 16-Bar Blues - PART 4 |
| 481 | | | | medium | Blues Rock | lick | Em | 4/4 | 74 | Tasty blues-rock riff that uses notes from the 4th, 3rd, and the 1st open box of the Blues scale |
| 482 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 114 | Shuffle Blues in C - PART 1 |
| 483 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 114 | Shuffle Blues in C - PART 2 |
| 484 | | | | medium | Blues Funk | lick | Gm | 4/4 | 94 | Lick that uses notes from every box of the Blues scale |
| 485 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 114 | Shuffle Blues in C - PART 3 |
| 486 | | | | easy | Blues Rock | lick | G | 4/4 | 84 | 2 licks centered around the first and the fourth boxes of the Blues scale |
| 487 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | C | 4/4 Shuffle | 114 | Shuffle Blues in C - PART 4 |
| 488 | | | | medium | Blues Rock, Shuffle Blues | lick | Am | 4/4 Shuffle | 80 | 2 licks centered around the first and the fourth boxes of the Blues scale |
| 489 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | E | 4/4 Shuffle | 118 | Shuffle Blues in E - PART 1 |
| 490 | | | | easy | Slow Blues | lick | Cm | 12/8 | 50 | 2 licks centered around the first and the fourth boxes of the Blues scale |
| 491 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | E | 4/4 Shuffle | 118 | Shuffle Blues in E - PART 2 |
| 492 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | E | 4/4 Shuffle | 118 | Shuffle Blues in E - PART 3 |
| 493 | | | | medium | Blues Funk | lick | Cm | 4/4 | 92 | Tasty funk blues lick centered around the 4th and 1st Box of the Blues scale |
| 494 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | E | 4/4 Shuffle | 118 | Shuffle Blues in E - PART 4 |
| 495 | | | | difficult | Blues Rock, Rock | exercise | Em | 4/4 | 75 | Lick/exercise centered around the Blues scale. 16th-note and 16th-note triplets with alternate and economy piccking |
| 496 | | | | medium | Blues Jazz | solo | A | 4/4 Swing | 144 | Blues swing with a jazzy chord progression. It uses notes from the Pentatonic minor, major, and sweet arpeggios |
| 497 | | | | medium | Blues Funk | solo | Am | 4/4 | 94 | King's Minor - PART 1 |
| 498 | | | | medium | Blues Rock | lick | Bm | 4/4 | 104 | Lick played on the All Along The Watchtower backing track, centered around the Blues scale + minor 6th. |
| 499 | | | | easy | Blues Funk | lick | A | 4/4 | 80 | Short solo that starts with some Pentatonic major licks and ends with the Blues scale. |
| 500 | | | | medium | Blues Rock | lick | Em | 4/4 Shuffle | 124 | This lick uses notes from the fourth, third, second, and first box of the Blues scale |
| 501 | | | | medium | Slow Blues | solo | Eb | 12/8 | 62 | To Someone That I Love by BB King - PART 1 |
| 502 | | | | easy | Blues Funk | lick | A | 4/4 | 100 | Blues intro that covers the first 5 bars of a standard 12-bar Blues |
| 503 | | | | medium | Slow Blues | solo | Eb | 12/8 | 62 | To Someone That I Love by BB King - PART 2 |
| 504 | | | | medium | Blues Rock | lick | Em | 4/4 Shuffle | 124 | Lick that uses notes from the 1st Extended Box of the Blues scale |
| 505 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 85 | Shuffle Blues in G - PART 1 - Centered around the Blues scale and the Pentatonic major |
| 506 | | | | medium | Blues Rock | lick | Em | 4/4 Shuffle | 124 | Lick that uses notes from the 1st Extended Box of the Blues scale |
| 507 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 85 | Shuffle Blues in G - PART 2 - Centered around the Blues scale and the Pentatonic major |
| 508 | | | | medium | Blues Funk | solo | Am | 4/4 | 94 | King's Minor - PART 2 |
| 509 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | D | 4/4 Shuffle | 130 | Shuffle Blues Solo in D centered around the Blues scale & Pentatonic major - PART 1 |
| 510 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | D | 4/4 Shuffle | 130 | Shuffle Blues Solo in D centered around the Blues scale & Pentatonic major - PART 2 |
| 511 | | | | easy | Blues Funk | lick | A | 4/4 | 80 | Lick centered around the Pentatonic major, Major scale double stops and chromatic passing tones on a Reggae backing track |
| 512 | | | | medium | Blues Rock | exercise | Em | 4/4 | 100 | Descending 16th-note lick that uses notes from all the boxes of the Blues scale |
| 513 | | | | medium | 12-Bar Blues, Slow Blues | solo | Am | 12/8 | 50 | Soulful minor blues solo centered around the Blues scale, Natural minor, and arpeggios |
| 514 | | | | medium | 12-Bar Blues, Slow Blues | solo | D | 12/8 | 62 | Solo inpired by BB King's No Good, centered around the Pentatonic major & minor |
| 515 | | | | medium | Blues Country | solo | G | 4/4 | 85 | Major solo centered around the Pentatonic major |
| 516 | | | | medium | Blues Funk | lick | Bm | 4/4 | 95 | Lick that uses notes from the 1st and 4th Boxes of the Blues scale |
| 517 | | | | medium | Blues Funk | solo | C#m | 4/4 | 92 | Born Under A Bad Sign by Albert King |
| 518 | | | | medium | Blues Funk | lick | Bm | 4/4 | 95 | Lick that uses notes from the 1st and 4th Boxes of the Blues scale |
| 519 | | | | medium | Blues Funk | lick | Bm | 4/4 | 95 | Lick that uses notes from the 1st and 4th Boxes of the Blues scale |
| 520 | | | | medium | Blues Funk | lick | Bm | 4/4 | 95 | Lick that uses notes from the 1st and 4th Boxes of the Blues scale |
| 521 | | | | easy | Slow Blues, Blues Country | solo | G | 4/4 | 50 | Solo that uses notes from the Pentatonic major and tasty arpeggios |
| 522 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 130 | My shuffle solo in A centered around the Pentatonic major and minor - PART 1 |
| 523 | | | | medium | 12-Bar Blues, Blues Funk | solo | Am | 4/4 | 100 | Minor blues solo centered around the Blues scale and tasty arpeggios |
| 524 | | | | medium | Blues Rock | solo | Em | 4/4 | 54 | Sonic Soul |
| 525 | | | | medium | Blues Rock | solo | Em | 4/4 | 108 | Rock Blues piece centered around the Blues scale and the Dorian mode - PART 1 |
| 526 | | | | difficult | Blues Rock | solo | Em | 4/4 | 108 | Rock Blues piece centered around the Blues scale and the Dorian mode - PART 2 |
| 527 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 130 | My shuffle solo in A centered around the Pentatonic major and minor - PART 2 |
| 528 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 130 | My shuffle solo in A centered around the Pentatonic major and minor - PART 3 |
| 529 | | | | medium | Blues Rock | lick | Em | 4/4 | 98 | Lick 1/2 centered around the Dorian mode and the Blues scale on the E7#9 chord |
| 530 | | | | medium | Blues Rock | lick | Em | 4/4 | 98 | Lick 2/2 centered around the Dorian mode and the Blues scale on the E7#9 chord |
| 531 | | | | difficult | Blues Rock | solo | Am | 4/4 | 72 | Southern Blues Flavor - SOLO 1 |
| 532 | | | | medium | Blues Rock | solo | Cm | 4/4 | 72 | Southern Blues Flavor - SOLO 2 |
| 533 | | | | difficult | Blues Rock | solo | Cm | 4/4 | 72 | Southern Blues Flavor - SOLO 3 |
| 534 | | | | difficult | Blues Rock | solo | Bm | 4/4 | 72 | From B minor to A major - PART 2 |
| 535 | | | | medium | Blues Funk | lick | Em | 4/4 | 82 | Funk blues lick that travels through the 5th, 4th, 3rd, 2nd, and 1st open box positions of the E minor blues scale |
| 536 | | | | medium | Blues Rock | solo | Cm | 6/8 | 66 | Dark Horizon - PART 1 |
| 537 | | | | difficult | Blues Rock | solo | Cm | 6/8 | 66 | Dark Horizon - PART 2 |
| 538 | | | | medium | Blues Rock | solo | Cm | 6/8 | 66 | Dark Horizon - PART 3 |
| 539 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 shuffle | 120 | Fresh Shuffle Blues in A - PART 1 |
| 540 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 shuffle | 120 | Fresh Shuffle Blues in A - PART 2 |
| 541 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 shuffle | 120 | Fresh Shuffle Blues in A - PART 3 |
| 542 | | | | difficult | Blues Rock | solo | Em | 6/4 | 95 | My tune for Halloween |
| 543 | | | | easy | Blues Jazz | solo | A | 6/8 | 50 | Smooth Jazz Blues Ballad - PART 1 |
| 544 | | | | medium | Blues Jazz | solo | A | 6/8 | 50 | Smooth Jazz Blues Ballad - PART 2 |
| 545 | | | | easy | Blues Jazz | solo | A | 6/8 | 50 | Smooth Jazz Blues Ballad - PART 3 |
| 546 | | | | medium | Shuffle Blues | solo | Am | 4/4 Shuffle | 94 | Blues Rock short solo centered around the 1st Box, the 1st Extended Box and the 3rd Box of the Blues scale |
| 547 | | | | easy | Slow Blues | solo | Eb | 12/8 | 65 | Christmas Love (Full) by BB King |
| 548 | | | | medium | Shuffle Blues, Blues Rock | lick | Em | 4/4 Shuffle | 120 | Rockin' The Blues - PART 1 |
| 549 | | | | difficult | Rock, Blues Rock | exercise | Em | 4/4 | 76 | Alternate and Economy Picking exercise that uses notes from the Blues scale |
| 550 | | | | easy | Shuffle Blues, Blues Jazz | solo | C | 4/4 Swing | 106 | Soloing the Swing Blues - PART 1 |
| 551 | | | | easy | Shuffle Blues, Blues Jazz | solo | C | 4/4 Swing | 106 | Soloing the Swing Blues - PART 2 |
| 552 | | | | difficult | Shuffle Blues, Blues Rock | solo | Em | 4/4 Shuffle | 120 | Rockin' The Blues - PART 2 |
| 553 | | | | easy | Shuffle Blues, Blues Jazz | solo | C | 4/4 Swing | 106 | Soloing the Swing Blues - PART 3 |
| 554 | | | | medium | Shuffle Blues, Blues Rock | solo | Em | 4/4 Shuffle | 120 | Rockin' The Blues - PART 3 |
| 555 | | | | medium | Blues Rock | solo | Em | 4/4 | 60 | Ballad of the Last Light - PART 1 |
| 556 | | | | medium | Blues Rock | solo | Em | 4/4 | 60 | Ballad of the Last Light - PART 2 |
| 557 | | | | easy | 12-Bar Blues, Blues Funk | solo | A | 4/4 | 103 | Twice Around - PART 1 |
| 558 | | | | medium | 12-Bar Blues, Blues Funk | solo | A | 4/4 | 103 | Twice Around - PART 2 |
| 559 | | | | medium | Blues Rock | solo | Em | 4/4 | 90 | Solo that uses notes from E Dorian and E Blues scale - PART 2 |
| 560 | | | | easy | 12-Bar Blues, Blues Funk | solo | A | 4/4 | 85 | Country Meets Feel - PART 1 |
| 561 | | | | easy | 12-Bar Blues, Blues Funk | solo | A | 4/4 | 85 | Country Meets Feel - PART 2 |
| 562 | | | | difficult | Blues Rock, Rock | exercise | Am | 4/4 | 90 | 3-Octave Am arpeggio (economy picking) + 16th-note triplets (alternate picking) through the 5th, 4th, 3rd boxes of the A blues scale |
| 563 | | | | difficult | Blues Rock, Rock | solo | Em | 4/4 | 74 | Dirty Groove |
| 564 | | | | medium | Blues Funk | solo | Am | 4/4 | 75 | First main positions of the Natural Minor scale, layered over the 1st box and extended 1st box of the Blues scale |
| 565 | | | | medium | Blues Funk | solo | Am | 4/4 | 75 | Second main positions of the Natural Minor scale, layered over the 4th box and extended 4th box of the Blues scale |
| 566 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 120 | Swingin' G Shuffle - PART 1 |
| 567 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 145 | Fast Train Shuffle in A - PART 1 |
| 568 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 120 | Swingin' G Shuffle - PART 2 |
| 569 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 145 | Fast Train Shuffle in A - PART 2 |
| 570 | | | | difficult | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 120 | Swingin' G Shuffle - PART 3 |
| 571 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | G | 4/4 Shuffle | 120 | Swingin' G Shuffle - PART 4 |
| 572 | | | | difficult | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 145 | Fast Train Shuffle in A - PART 3 |
| 573 | | | | easy | 12-Bar Blues, Blues Jazz | solo | Bb | 4/4 Swing | 108 | Christmas Jazz Blues - PART 1 |
| 574 | | | | medium | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 145 | Fast Train Shuffle in A - PART 4 |
| 575 | | | | easy | 12-Bar Blues, Shuffle Blues | solo | A | 4/4 Shuffle | 145 | Fast Train Shuffle in A - PART 5 |
| 576 | | | | easy | 12-Bar Blues, Blues Jazz | solo | Bb | 4/4 Swing | 108 | Christmas Jazz Blues - PART 2 |
| 577 | | | | difficult | 12-Bar Blues, Blues Jazz | solo | Bb | 4/4 Swing | 108 | Christmas Jazz Blues - PART 3 |
| 578 | | | | medium | Blues Funk, Blues Rock | solo | E | 4/4 | 80 | Low End Voodoo - PART 1 |
| 579 | | | | difficult | Blues Funk, Blues Rock | solo | E | 4/4 | 80 | Low End Voodoo - PART 2 |
| 580 | | | | easy | Blues Country | solo | E | 4/4 | 118 | Uplifting Country Blues in E Major - PART 1 |