Hello everyone! Here’s the first part with tabs for the Shuffle Blues in G that I posted last week. It uses notes from the 1st, 2nd, and 3rd boxes of the Blues scale, enriched with the major 3rd and 6th from the Pentatonic major.
Hello everyone! Here’s the tabs for a rhythm guitar piece inspired by BB King. Here’s the original video with no tabs: https://www.patreon.com/posts/rhythm-guitar-my-88421587
Hello everyone! Here is the chord progression for Stormy Monday, the Allman Brothers version, which is my favorite interpretation! It is a 12-Bar Blues in the key of G, with many variations. All the chords involved are indicated in the tabs.
Hi folks! After having recorded a solo written on an 8-Bar Blues progression in the key of A, here’s the video with the rhythm parts. Check out the solo at this link https://www.patreon.com/posts/video-tabs-daily-66039984
Hello everyone! Here’s a country blues 16-Bar progression in the key of A, the same I used for the DBL 203. Pay attention to the alternate picking technique!
CHORDS: Dominant 13th A dominant 13th chord is a dominant 7th chord with three extra notes: the 9th, 11th and 13th. It’s a sweet-sounding chord that gives a jazzy flavor. I played a 12-Bar Blues in the key of C using some dominant 13th chords.
Hi folks! Here is the chords progression for What Happened by BB King, enriched with sweet double stops, altered chords, and licks between the chords. The song is an 8-Bar Blues in 12/8 and in the key of E major. You can find the solo I’ve already posted at this link https://www.patreon.com/posts/57466264
CHORDS: Dominant 9th Here is the sixth video for the CHORDS series. With this video, we’ll take a look at the dominant 9th chords, one of the sweetest extensions for the dominant 7th chords. I played over a 12-Bar Funk Blues backing track in the key of A.
This is a super-popular way to play a shuffle in the key of E using power chords. The progression starts with an intro lick that uses notes from the open position of the Blues scale. The same lick is played at the end of the progression on the turnaround section (the last 2 bars). I … Read more
Hello everyone! Here is a lick/exercise centered around the Blues scale in the key of E minor. I play it twice: first, in 16th-note triplets, then in 16th-note. I use both the economy and alternate picking techniques as indicated in the tabs.
WBR 2 Repost. Here is one of the most popular ways to play a shuffle that consists of playing double-stops instead of chords. I play them using the palm-muting technique. I also play some licks within the chord changes and during the turn-around (the last two bars of the progression).
CHORDS: MINOR 9th Minor 9th chords are a sweet substitution of common minor 7th chords. I often use them to replace the Im7 (Am7) and the IVm7 (Dm7) in a 12-Bar minor Blues progression. In this example, I also played a 7#9 chord that gives extra tension at the end.